How ads (external) work in the brain: (page 163)
- Scare me so I do what you say
- This is fragile (perhaps because another fear takes over)
- Stories that spark our imagination become integral to our personal narrative
Three (external) techniques (page 163)
- Start in the middle (middle, beginning, end) (Leapfrogging and Risky is the New Safe)
- Focus on exceptions to the rules
- Write in the riddle (connect two things that contradict)
and a fourth - End with the beginning (tell your audience why)
page 172
- Prompt your audience to wonder why (begin in the middle, disrupt a narrative, pose a riddle)
- Explain why, answering their questions for them (Provide an explanation, they'd have imagined themselves if they had more time)
- Shut up, allowing your audience to imagine what if (sit back and let their imagination do the work)
or - "Get you audience to imagine a question, then answer it better than they can"
Internal communications (cohesion instead of dissemination)
Starts at the end and encourages the audience to imagine the middle.
Commander's Intent (page 173)
- The goal of the mission (the end)
- The why of the mission (the beginning)
- Close your mouth (let them invent their own middle)
Avoid failure:
- Too many goals
- A goal without a why
External - Inspire a question and then answer it
Internal - One goal and Why
The final ingredient - Trust (page 177) and authenticity (becoming more difficult in large corporations)